About Us

At Arch One Glass, Rob Wallace is the local glassblower you never knew you had in your community. Located at 51 Main Street In Chester, CT Rob is employed in a centuries old profession in the quaint coastal Connecticut town.

Recently Rob began a radically new approach to his career after receiving a liver cancer diagnosis in December of 2015. In June of 2016, Rob dove head-first into a newly found passion for creating handmade glass jewelry inspired by life on the Connecticut Shoreline.

After first receiving his diagnosis, Rob was paralyzed by anxiety and depression, causing him to lock up his studio for more than a month and a half. Once the initial shock subsided, Rob returned to his studio without the intent of keeping it business as usual.

“[Glassblowing] gave me an outlet to deal with the anxiety. When I came in to the studio for the first time I didn’t want to do the scientific work, I wanted to just be free form, just melt the glass and listen to chill music, and I found myself making these beautiful pendants…” To date, Rob has been producing his own line of jewelry, blending driftwood, multicolored glass and functionality with his art.

Rob has been employed in the industry as a producer of glass commodities for medical and scientific research for the past thirty years. While his work has remained scientific in nature, Rob has yet to feel the fatigue that most would have had felt three decades into their career; “I am a master glassblower but you never really stop learning. That is what is nice about this profession. There are always new techniques. There are always new things happening, so it keeps it interesting. There is always a new way to do something.”

Though Rob has been producing glass commodities for three decades, his work has remained sequestered behind the closed doors of universities and research labs. Rob decided to start Arch One Design as a way to create a lasting legacy and help fund the research he was once a part of, but now needs to combat his own illness; “Being tied into research my whole life as a scientific glassblower by trade and supporting [Research and Development] for thirty years I have always been on the cutting edge of drug research and now I need that to save me, and how do I do that? I want to help support the research, not only by making the glass [researchers] need, but by also giving the proceeds of my art pieces to the Liver Cancer Society to fight against the cancer that inspired the jewelry, it is something that lives on.”

Meet Rob

Rob has created an eye catching style, mixing his colorful glass pieces with other mediums such as driftwood, a nod to the Connecticut coast that he has been a part of for twelve years.

“I started just giving them away and people started telling me how beautiful they are, and one thing led to another and now I have stores that are carrying them.” Rob explained. “I don’t want to be sequestered. I'm not Rembrandt, but this jewelry will have a name well after I’m gone,” He said about his designs, creating items intended to be touched, used, and seen by the general public, as opposed to the scientific glass that is only intended for practical use in labs and classrooms around the world.

Rob has been producing jewelry for only a short time, but he has already outgrown the small exhibition space offered by the Arch One studio. Expanding his reach and offering his unique pieces to everyone, Rob has begun to carry stock at Old Saybrook’s Chalk Mercantile and New London’s Studio 33.

Rob explains that a career in glassblowing is neither rare, nor one of a starving artist; “I have never been out of work. I started when I was fourteen, went to school, and was recruited while in school and immediately started working for corporations.” Rob even emphasized the therapeutic nature of glassblowing that has evolved into Wallace Originals. The holistic element to glass blowing, or the euphoric feeling of being “in the moment” is yet another experience Rob wants to share with the public. “I want to allow people to create something tangible, to experience the process,” says Rob, going on to explain the six work stations that he uses to teach his craft and mentor prospective glass blowers as well as host therapeutic sessions.

Even Rob’s tools accentuate his philosophy of oneness with the medium; “These are all old tools that were handed down to me… these were probably made sometime in the 1930’s or 40’s...there are new tools available out there but I like the old ones”.

Uniquely Handcrafted